And I must say I do love this book. Here's its cover:
Its author is my Blindingly Brilliant crit partner, Janet Butler. And can she do more than crit? You bet your scarlet rosebuds she can.
Here's some "get acquainted" info straight from Janet.
Deb: When you’re not writing, what do you like most to read? Genre, favorites, etc.
Janet: What do you mean, when I'm not writing? When am I not writing? J Oh…okay. I read suspense and mystery, some chick lit, romantic comedy, the occasional Regency historical, and "gentle" fiction of various types, including Christian fiction.
Deb: If you didn’t write in your chosen genre, which would you write? Why?
Janet: If I knew which genre I've chosen, that'd be an easier question to answer. J Actually, for all my "serious" writing career, I've wanted to write Harlequin Romances. The sweet little books. I've yet to figure out how to do one, however, since every time I sit down to write, some dark villain taps on my shoulder and says, "Hey, I could make these people's lives a whole lot more interesting, if you just let me." So…I tend to let them. You don't argue with villains.
Deb: Where do you see the fiction market going in the near-term?
Deb: Where do you see the fiction market going in the near-term?
Janet: Frankly, I don't like where I see lots of fiction going. I see a lot of despairing fiction: dystopian, nihilistic, stuff that deals in grit with no redeeming light, or authors who feel like they have to be obscene, depraved, or coarse simply "because they can." I'd like to see more books that don't make you want to jump out a window, or feel like you need to take a shower, when you're done with them. As far as where the markets are going? Who knows? I suspect it's all going electronic, or at least largely so. I like paper books, so this is not comforting to me. And I really dislike the notion of "enhanced" books. I'm a fiction writer; I like imagination. It seems to me that putting too many bells, horns, and whistles in a book is a fundamental violation of that imagination, and an intrusion upon the magic. Sorry. Not for me.
Deb: What has been your biggest challenge since you decided to seek publication?
Deb: What has been your biggest challenge since you decided to seek publication?
Janet: There have been two: First, fighting the "impostor syndrome," that absolute conviction in the dark places of your writer's soul that you're really a fake, you really can't write at all, and one of these days, someone's going to rip away the veil in front of Oz and you'll be revealed in all your duck-tape-and-twine weakness. Second, trying to attract an agent; I've probably queried 100+ of them over the past few years, with only a few even requesting partials. Of course, with the way the industry is moving now, maybe that issue is moot, anyway.
Deb: Name a few of your favorite authors.
Deb: Name a few of your favorite authors.
Janet: Mary Higgins Clark, Rochelle Krich, Diann Hunt, Sophie Kinsella, Jan Karon. How's that for a potpourri? I keep discovering new authors as I go, though, so stay tuned.
Deb: Care to share a writing habit you cannot do without?
Deb: Care to share a writing habit you cannot do without?
Janet: Mwah hah haaaaah…you know what's coming: the Dreaded Synopsis! There. I've said it. Don't hate me because I synopsize!
Seriously. I have tried writing without an outline, and I've tried writing with one. With one is better. Years ago, I discovered that if I wrote by the seat of my pants, I had a lot of fun, but I lost the story in the process. Now that I'm older, I don't have the energy to chase down my characters and/or a plot clear to Abu Dhabi to figure out where I went wrong (Besides, airfare's just too darn expensive.). I also freeze up if I don't have SOME idea what's going to come in the next few pages. Mind you, nothing in the synopsis is carved in stone; stories can, and do, change from the first outline. But I need to have SOMETHING to work from.
So I synopsize.
And I also believe in a wonderful, well-chilled bottle of champagne… at the appropriate time.
Seriously. I have tried writing without an outline, and I've tried writing with one. With one is better. Years ago, I discovered that if I wrote by the seat of my pants, I had a lot of fun, but I lost the story in the process. Now that I'm older, I don't have the energy to chase down my characters and/or a plot clear to Abu Dhabi to figure out where I went wrong (Besides, airfare's just too darn expensive.). I also freeze up if I don't have SOME idea what's going to come in the next few pages. Mind you, nothing in the synopsis is carved in stone; stories can, and do, change from the first outline. But I need to have SOMETHING to work from.
So I synopsize.
And I also believe in a wonderful, well-chilled bottle of champagne… at the appropriate time.
Deb: A total delight, don't you agree? Except that champagne gives me a headache. You can have my share.
Janet's VOICE OF INNOCENCE releases January 15 from Desert Breeze Publishing. Go get this book! You'll like it.
2 comments:
Ladies, I got a real kick and laughed out loud at this blog. I could just visualize the two of you-having a blast! But it cut home in many places too. Thanks for sharing. My reading tastes are about as eclectic as yours, Janny.
Janny, I love how the beginning of the story is a bit dark and creepy. Great job with the setting there.
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