An interesting Sunday (as in the old Chinese curse: "May you live in interesting times."). On a certain Christian fiction writers' (not readers') loop, one member posted a question that led to a lively discussion: why is C-fic not recognized for its high quality in the larger writing/publishing world? Why no awards for C-fic titles such as the Pulitzer and others?

I don't want to add to the controversy. That's already been done by higher profile persons than me. Some of the on-loop comments have been downright nasty and/or snarky, and I propose to take a higher road.

What books in our market have you read lately, that you thought stood head & shoulders above anything you've read this year? Which would have stood out in the larger pack, had they been published in the so-called secular marketplace? Which were "too good" for Christian fiction?

My short list includes Sandra Byrd's TO DIE FOR. Also Siri Mitchell's A CONSTANT HEART and Susan Meissner's A SEAHORSE IN THE THAMES.

Notice how few there are? Notice that two out of the three are not first-line, highest-profile authors in our market? Maybe that's no accident. I gave up on Kingsbury when she started writing soap opera. The other best-selling Christian authors write in eras and settings that bore me into insanity, so I don't read them either. In fact I read very little Christian fiction these days, since most of it seems as interesting as overboiled porridge.

How about you, readers? What are your "too good" titles and why do you love them?

What? A Midweek Guest?

Minions, today welcome my guest, Janice Hanna Thompson. And yes, she writes under both names. Here's what she has to say about some topics of interest to us all:

DK: Welcome, Janice. What’s your latest venture?
JT: Thanks for having me. I’m thrilled to share about my latest book, MAKE MONEY WRITING, now available from amazon for kindle users. The book, which is loaded with helpful hints for freelancers, is free from March 12th – March 17th. After that, it will sell for $4.49.

DK: Talk a little about yourself and your writing experience.
JT: I write under the names “Janice Thompson” and “Janice Hanna.” I just signed contract #79 (For QUEEN OF THE WAVES) and have written in a variety of genres, including romance, historical, contemporary, cozy mystery, juvenile fiction, non-fiction and more. I’m best known for my light-hearted contemporary novels and for my quirky characters. I’m pretty passionate about writing, and even more passionate about helping others discover their writing talents and abilities. For the past seven years I’ve worked as a full-time freelancer, earning my living with my books, teachings, articles, and write-for-hire work.

DK: Why this book? Why now?
JT: For several years now I’ve divided my time between freelance writing and teaching. So many aspiring writers discover that I’ve published several books and they come to me to ask the inevitable, “How do I get published?” question, usually followed by, “Is there really money to be made in publishing?” Over the past couple years I’ve put together several freelance writing courses to answer their questions, but I felt the need to do more, so I compiled all of my mini-teachings into one book.

DK: What will readers get in one of your courses?
JT: The courses are very specific to their individual topics. MAKE MONEY WRITING covers a variety of areas of interest to the freelance writer, including: earning top dollar, magazine article writing, write-for-hire work, writing the novel and/or non-fiction book, the submission process, succeeding as a freelancer, and more. The book is not a textbook. Instead, it is motivational in tone and focuses on offering encouragement to freelancers and giving them basic tips for success in each of the areas listed above.

DK: Sounds interesting. Tell us a little more about it.
JT: It might make more sense to share some of the chapter titles because they will give you an idea of some of the topics readers will find in the book.
Earning Top Dollar
Jumping the Hurdles
In the Beginning. . .the Writer Set Goals
...and many more.

DK: What other projects are you working on?
JT: I’m currently writing QUEEN OF THE WAVES, a novel set aboard the Titanic, a very compelling setting. And I’m tickled about my upcoming release, Wedding Belles.

DK: What's going on in the world of your courses?
JT: Thanks for asking. I’m tickled about the recent release of my Non-Fiction Writing Course. I recorded this course in the studio several months ago and had a blast doing it. I’m convinced this is the most comprehensive package I’ve ever put together. Non-Fiction writers should be able to take this course and find some degree of success building their platform, writing short pieces and fully developing a non-fiction book. There’s even information on how to pitch (and ultimately market) the non-fiction book.

Here are some topics from the course:
From Magazines to Books: Building Your Platform
Understanding Non-Fiction Book Types
Best Selling Topics
Compiling Your Information (Braiding the Book)
33 Tips to Strengthen Your Writing

As with all of my courses, this one is available online at www.freelancewritingcourses.com.

DK: Janice, how can readers reach you?
JT: I love to chat with my readers! To learn more about my books, visit:
www.janicehannathompson.com
To learn more about my writing courses, including my new non-fiction course, visit:
www.freelancewritingcourses.com

Facebook: JaniceHannaThompson

Twitter: booksbyjanice

New Weekend -- Another Guest!

Hi, peeps. Today we take a peek into the writerly heart of author Fay Lamb. Isn't that a cool cover, by the way?

DK: When you’re not writing, what do you like most to read?
FL: I love to read romantic suspense, but any story with quirky characters is an invitation to get away. The novel BLISS, by Tracy Bowden and Jenness Walker, has been an absolutely favorite. I love to laugh, and I laughed from page one until the very last well-placed line of that book.

DK: I'll have to get that one! I love to laugh. And you--if you didn’t write in your chosen genre, which would you write? Why?
FL: I'd write contemporary romance, not necessarily formulaic. While I have written formula romance, I like to tell a story that goes so much deeper than the love of two people. I like to show relationships with issues, lots and lots of issues and conflicts to overcome.

DK: That’s the best kind of romance of all! Where do you see the fiction market going in the near-term?
FL: Since God spoke His creation into being, storytelling has been a part of mankind. God's Word is full of true-life stories. Jesus used fiction to speak into the needs of those who sought Him. While I believe the fiction market is going through some pains caused by fast-growing technology, I don't believe the desire for a good story will ever fade.

I'm going to get in trouble with my next statement, but here goes: I believe Christian fiction will suffer if the publishers do not begin to understand their market. I was appalled when I sat across from an editor from one of the larger Christian publishing houses, and I was told that my writing was too complex for Christian readers. I decided at that moment to seek a Christian publisher that had a better opinion of their readers and who realizes that secular publishers reach across the aisle to attract Christian readers. In the same way, with stories that do not compromise God's truths, Christian publishers need to reach across those aisles and touch secular readers with stories of light and life—stories with meaning, stories that have the Only Answer to every dilemma.

DK: There isn’t one little bit of your statement with which I disagree! C-fic has many different subsets of readers, and so must become more inclusive. What has been your biggest challenge since you decided to seek publication?
FL: As mentioned above, my biggest challenge was finding a publisher that looked beyond formula and taboo subjects and realized that BECAUSE OF ME is a book that speaks of God's love, and shows the truth behind Romans 8:28: No matter what we face, what we've gotten ourselves into, God proclaims, "…all things work together for good" to those who love Him. That's a hard Scripture to embrace when we're walking through the fire, but when we're on the other side, and refined through our heartache and pain, it's one of the most wonderful verses to cling to.

DK: True, and precious beyond words. What about your favorite authors? Care to give us a few names?.
FL: My all time favorite author is James A. Michener, but I add to that list: Margaret Daley, Karen Ball, Francine Rivers, Rachel Hauck, John Grisham and Sharyn McCrumb.

DK: Sharyn McCrumb is one of my all time faves. Those books are hoots! About you, now--care to share a writing habit you cannot do without?
FL: One of my habits is what I call "free writing." It's allowing myself time to play with story and character. If I'm working on a novel, inevitably, another story will call out to me. The characters want me to come and play. You never know when a character is going to step on stage and give you the story of a lifetime. So what I do is promise myself that if I get a certain amount of writing done on the current work in progress, I can go and play with characters from another neighborhood.

Fay, thanks for being on JTTS, and thanks for your candor.

New Weekend -- New Author!

Hi, all of you. Today we get acquainted with June Foster, whose book GIVE US THIS DAY just came out.

DK: When you’re not writing, what do you like most to read? Genre, favorites, etc.
JF: Before I started writing two years ago, I read end time prophecy fiction such as the “Left Behind” series. Since I've begun writing, I love to read in my genre - romance. I want to read the books my fellow authors at Desert Breeze write. I download mostly the inspirational romances. I've probably read six or seven of the authors now. I love Shawna Williams' writing because her characters must overcome their flaws to become more Christ like.

DK: Shawna is one terrific writer. And if you didn’t write in your chosen genre, which would you write? Why?
JF: I'd like to write romantic suspense one of these days. I'd love to allow my imagination to go wild and think of the twists and turns that keep readers turning the pages. And when there's a romance involved, it's all the more fun.

DK: Where do you see the fiction market going in the near-term?
JF: There will always be an interest in fiction. I think the e-book market is going to explode even more than it has in the last five years or so.

DK: You’re right! Its sure going to change things all around. What has been your biggest challenge since you decided to seek publication?
JF: The waiting game is difficult - to see if a publisher will like my work or send me a rejection letter. That's one thing I like about Gail Delaney of Desert Breeze Publishing. She's respectful of authors and answers promptly to proposals she receives.

DK: She is that, to be sure. Name a few of your favorite authors.
JF: Well, I know Deb Kinnard is one of them. Others are Latayne Scott, Mildred Colvin, Allison Pittman, Jerry Jenkins, and Gail Gaymer Martin.

DK: Hey, thanks! That sure is nice to know. Care to share a writing habit you cannot do without?
JF: Praying and asking the Lord to help me every step of the way. I rely on Him for ideas, words, and inspiration for my plots.

Thanks for guesting on the blog, June.

Modern Life and Its Challenges

Today I figured out the reason my heart lives in the Middle Ages. Granted, in the 10th-14th C. where I belong, we had our challenges: unsafe drinking water, childbirth, Viking raids, bubonic plague.

All these pale beside the challenges I faced today. I mean it!

To wit: the RT Booklovers' Conference is coming up. They have graciously agreed to make our e-books available to lovers of such media (which ACFW refuses to do, but do not get me started. Not today). To do that, we authors must go into a particular e-book vendor's site and load our title and publisher information.

"No problem!" I say to myself. Aye, me. Naive was I, and oblivious to the pitfalls awaiting me on said e-book vendor's site.

First, I must sign in. No problem. It already knows my name. I go in and click on that. Then it wants my e-mail addy. No problem. I enter it. Then it wants my password. I type my standard "nobody'll ever figure this out" password.

You guessed right. It rejects.

No problem. I shoot them an e-mail under the "forgot password" header. Apparently this happens all the time. They shoot me an e-mail with my gibberish password they created for me, probably eons ago when I allowed such things.

I return to said web site and enter the gibberish password.

You guessed right. It rejects. It says, "you already have an account."

Well, duhh. I feel stupid, but I already knew I had one, thanks very much. I shoot them another e-mail under the "create trouble ticket" header.

It's now 45 minutes later than when I began.

No problem, say I. I shall go tackle a different issue -- creating the postcards I need for each book for said RT conference, upcoming.

I've created postcards on this very popular site before. It was easy as a wink. I upload the .jpg file the publisher's created and sent me just prior to release. I include some back cover copy for the postcard. I click the "approve" box, place the order for my required number of postcards, and voilá! I'm done.

You guessed right. It rejects.

For some reason, the images I used to create postcards a year ago are now "not high enough resolution" to create them now. I try a different version. It rejects.

It's now an hour and a half and a phone call later. The customer service rep was very nice indeed, and she tweaked, buffed, polished, resized, reformatted, and basically did everything she could to my cover image.

You guessed right. It still rejects.

I'm done for today. Methinks it best to head back to the 14th century and mull the aftereffects of the Black Death. Much, much less stressful.

What's the Worst?

Heh heh, another loaded question with many answers.

First, some background. I'm re-reading the late David Eddings' superb series "The Belgariad." I'm up to book 4 now, in which our intrepid heroes meet a religious zealot. Relg has a load of spiritual baggage heavier than a fully loaded semi-truck. One of his most consuming preoccupations is his battle against sexual sin. To Relg, everything is sinful, and he spends a great deal of his time beating himself up for it. He seems to feel that looking at a woman with impure thoughts is the "worst" he can do to sin against his God.

It's like that for many Christians, isn't it? What is worse in our Father's sight: having inappropriate ideas about a member of the opposite sex, or ...

...pride?
...resentment?
...racism?
...lack of charity?
...spiritual laziness?

The truth is, we simply don't know. Still, many of us seem to portray the inward idea that sexual error is worse than anything else we can do to grieve the Holy Spirit.

Yes, He wants us to walk in purity. That's a given, and foundational to our faith. But does He not also want us to walk in humility? in peace? in acceptance? in charity? in spiritual industry?

What's worst? Maybe it's time I, for one, got my priorities a little better aligned with His.

A New Week, Another Terrific Author!

Minions, today please welcome Dina Sleiman. Dina is a writer by choice, a dancer by nature, and someone who's very special to me. Today we find out what makes her writing life tick:

DK: When you’re not writing, what do you like most to read? Tell us what are your reading genres of choice. What are some of your favorites?

DS: When I am writing, I try to read great books in the genre I’m working on. Right now that’s historical romance, which is probably my very favorite. But when I’m not writing my reading is much more diverse. I actually enjoy all sorts of genres. Literary fiction is high on the list, but I also adore sci-fi, fantasy, and spec fiction. Cozy mystery is fun. I even read some thriller novels. My least favorite is suspense, but I still end with some of those too.

DK: You’re smart to “stretch” by reading outside your chosen writing zone. If you didn’t write in your chosen genre, which would you write, and why?

DS: In addition to romantic historicals, I’ve also tried my hand at contemporary women’s fiction and creative nonfiction. I actually have smaller publishing companies interested in both of those books right now. I’m a very organic sort of writer, and for the first few years of my career, I wrote rather impulsively. The contemporary women’s fiction came from my experiences teaching college and traveling in the Middle East. I’m glad I wrote it, because I think it meant a lot to my Lebanese husband. The nonfiction sort of exploded out of a collection of poems I’d worked on years ago when I discovered that format.

At this point I’m growing more focused and intentional about my career. I do think my niche will end up being in the historical/historical romance area.

DK: Where do you think the Christian fiction market might head in the near-term?

DS: I’m really in no position to predict, but I have noticed that Christian fiction is growing more realistic. A lot of topics that were taboo even a few years ago have become more common. Tattoos, Christians who drink in moderation, etc. This is huge for me, because I personally have no desire to be a religious, outwardly focused Christian. I’ve been pleasantly surprised that my dance emphasis (found in all of my books) has been so readily embraced, even by older readers. Not long ago, a number of Christian publishers didn’t allow dance to be mentioned. I’ve noticed recently that several Bethany books have depicted dance in a very positive light. And Zondervan has a novel featuring a ballerina and the whole dance world.

DK: What has been your biggest challenge since you decided to seek publication?

DS: My first few books were not very marketable. I was turned down by a number of agents and editors who loved my work but didn’t think they could sell it. My personal interests didn’t match well with the current state of Christian fiction, and I didn’t do enough research on the subject in advance. I’ve managed okay considering. And DANDELION has received wonderful reviews.

Right now, I’m focusing on correcting the marketability factor. I feel God has put a new desire on my heart to be more of a career writer and to help my children through college. It took some time and prayer to come up with an idea that I loved and that would fit the market, but I think the book I wrote this fall fits the bill. I hope it will be the start of something new and exciting for me.

DK: We'll await good news, then! Who are a few of your favorite authors?

DS: Francine Rivers (of course), Lisa Samson, Julie Klassen, Siri Mitchell, and Roseanna White are at the top of my list. Three out of five are now personal friends, which is pretty cool. In some other genres, I also really admire Tosca Lee, James Rubart, Steven James, Karen Hancock, and Kathy Tyers.

DK: Care to share a writing habit you cannot do without?

DS: Not exactly a habit, but I didn’t start writing seriously until I got my first laptop. In college I wrote a lot, but I hated all the time spent tied to a desk. For years I didn’t write anything longer than a skit or a poem. But once I had a laptop, I could curl up on a couch or a bed. That’s how I do all my writing.


Dina, thanks for sharing what makes your writing Dandelion dance!

Janet Butler Tells All!

All, that is, about her new Desert Breeze release VOICE OF INNOCENCE. I wanted her to interview here and tell something about how the germ of an idea became the story it is today. And a horking good one, too.

Deb: You’ve always called this book your “400 lb. gorilla.” What made you fall in love with this story?

Janet: Interestingly enough, the thread that made this the “book of my heart” isn’t even in the book now: it was the first scene I envisioned, one that takes place before the book begins. In this scene a young woman, in unrequited love with her older professor, is getting ready to leave a party at his house. She’s in the bedroom, about to pick up her coat, when she pauses and gazes longingly at his wife’s things on the dresser—you know, the hand mirror, the elegant brushes and perfume bottles—and thinks to herself that she’s just a fool, “a fool in a cheap little jacket,” longing for things she can’t have. I knew once I met that young woman, I needed to write this story, as much as the characters seemed to need it told.

Deb: Eeeenteresting! Lachlan is a multi-dimensional character with a heavy load of baggage. How did you make him so appealing?

Janet: Lachlan has always been a polarizing character: people either loved him or they hated him. He was stiffer, more pompous, in previous versions of the book; I’ve loosened him up considerably so we see more of his humor, more of the brightness that wants to come to the surface. He’s actually a fun guy, once he’s past all his troubles. But one thing has never changed with him: at the core, he is a mystic, a poet, and a romantic. What’s not to love?

Deb: Amanda’s struggling under a heavy load as well. How did you make her seem so sane when she was hearing voices almost from the first page?

Janet: I had to give Amanda a much firmer personality to deal with the voices, which did her a big favor. In earlier writing, she was much like Lachlan—more sensitive, more reticent, etc. Then I realized I had two people whose personalities were too much alike. So Amanda and I sat down and talked about it, and she told me she really didn’t have much time for nonsense; she has three brothers, so she had to be practical (and quick, to get her share at the dinner table). You’ll notice that she’s both pragmatic and decisive when confronted with the voices. She resists the urge to fly off into “what ifs” of the type Lachlan would be more prone to, and she’s feisty enough to tell off a (very unwelcome) ghost. Three brothers’ll bring that out of a girl.

Deb: I’ll say they would! And another matter – Carlyle College almost takes on the life of another “character” in VOI. What techniques make this fictional setting come real?

Janet: This is especially flattering to hear, since my intent was to write a very Gothic-toned story with VOI, and one of the keys to good Gothic literature is that the setting becomes a pseudo-character in itself. If Carlyle College, with its red brick and flower beds and manicured green, speaks to you…that’s exactly what it’s supposed to do. It’s supposed to evoke “traditional ivy-covered halls” in the imagination…while hiding deadly secrets and mysteries beneath its surface. Carlyle plays such an important part in the story as well because it represents so many things to so many people: it’s Amanda’s beginning, her first big break; it’s Lachlan’s last chance, the only thing that means anything to him; it represents status and solidity to other characters; and so on. I thought it the best backdrop to my characters’ drama, and in the process, it became the linchpin. (Besides, I love academic settings!)

Deb: I’d love to try one, too, but I’ve never dared. My memories of college are -- shall we say -- a bit misty by now. But how early in the writing of the book did you sense it needed to be a romantic suspense?

Janet: From the get-go. It started out as a “revenge” story in its earliest form—a young woman going to confront the man she thinks responsible for her sister’s death (with all the possibilities for danger that that implies), only to fall in love with him at the end. It morphed through various other plotlines, various other scenarios, but there was always an underlying mystery, a budding and somewhat forbidden romance, and the threat of danger to the heroine. Only recently did it become more fully developed romantic suspense with the additional “woo-woo” element that incorporates elements of danger and attraction for both Lachlan and Amanda. But it was always a “whodunit” with the underlying theme, “Nothing is what it seems to be on the surface.”

Deb: I’ll say you had to “go deep” with this one. During the writing, was the identity of the villain in chief a surprise to you, or did you know it was that person beforehand?

Janet: My VIC (villain in chief)’s identity has changed dramatically from the original! The plot originally had a totally different character involved with Lachlan in the beginning of the book, a letter that explained everything (and which a character brought out at a crucial moment), and even a confrontation between Amanda and the first Mrs. MacAndrews which was rather…interesting, to say the least. It wasn’t until this latest version that I realized who had the most to lose if the hero and heroine win…and why…and what that person would do to stop that from taking place. Then, I had a real villain in chief with a scenario that would make perfect, psychopathic sense (to them). Most of all, I’m thrilled when people have read this in manuscript and said they were surprised at who the “nasty” was; that’s another touchstone of Gothic fiction that I tried hard to get right. I hope I did!

Deb: In spades! Janet, thanks for shedding light on your creative process. Readers, go and get this book – you’ll enjoy the journey as much as I did.

Great New Read

And I must say I do love this book. Here's its cover:

Its author is my Blindingly Brilliant crit partner, Janet Butler. And can she do more than crit? You bet your scarlet rosebuds she can.

Here's some "get acquainted" info straight from Janet.

Deb: When you’re not writing, what do you like most to read? Genre, favorites, etc.

Janet: What do you mean, when I'm not writing? When am I not writing? J Oh…okay. I read suspense and mystery, some chick lit, romantic comedy, the occasional Regency historical, and "gentle" fiction of various types, including Christian fiction.

Deb: If you didn’t write in your chosen genre, which would you write? Why?

Janet: If I knew which genre I've chosen, that'd be an easier question to answer. J Actually, for all my "serious" writing career, I've wanted to write Harlequin Romances. The sweet little books. I've yet to figure out how to do one, however, since every time I sit down to write, some dark villain taps on my shoulder and says, "Hey, I could make these people's lives a whole lot more interesting, if you just let me." So…I tend to let them. You don't argue with villains.

Deb: Where do you see the fiction market going in the near-term?

Janet: Frankly, I don't like where I see lots of fiction going. I see a lot of despairing fiction: dystopian, nihilistic, stuff that deals in grit with no redeeming light, or authors who feel like they have to be obscene, depraved, or coarse simply "because they can." I'd like to see more books that don't make you want to jump out a window, or feel like you need to take a shower, when you're done with them. As far as where the markets are going? Who knows? I suspect it's all going electronic, or at least largely so. I like paper books, so this is not comforting to me. And I really dislike the notion of "enhanced" books. I'm a fiction writer; I like imagination. It seems to me that putting too many bells, horns, and whistles in a book is a fundamental violation of that imagination, and an intrusion upon the magic. Sorry. Not for me.

Deb: What has been your biggest challenge since you decided to seek publication?

Janet: There have been two: First, fighting the "impostor syndrome," that absolute conviction in the dark places of your writer's soul that you're really a fake, you really can't write at all, and one of these days, someone's going to rip away the veil in front of Oz and you'll be revealed in all your duck-tape-and-twine weakness. Second, trying to attract an agent; I've probably queried 100+ of them over the past few years, with only a few even requesting partials. Of course, with the way the industry is moving now, maybe that issue is moot, anyway.

Deb: Name a few of your favorite authors.

Janet: Mary Higgins Clark, Rochelle Krich, Diann Hunt, Sophie Kinsella, Jan Karon. How's that for a potpourri? I keep discovering new authors as I go, though, so stay tuned.

Deb: Care to share a writing habit you cannot do without?

Janet: Mwah hah haaaaah…you know what's coming: the Dreaded Synopsis! There. I've said it. Don't hate me because I synopsize!
Seriously. I have tried writing without an outline, and I've tried writing with one. With one is better. Years ago, I discovered that if I wrote by the seat of my pants, I had a lot of fun, but I lost the story in the process. Now that I'm older, I don't have the energy to chase down my characters and/or a plot clear to Abu Dhabi to figure out where I went wrong (Besides, airfare's just too darn expensive.). I also freeze up if I don't have SOME idea what's going to come in the next few pages. Mind you, nothing in the synopsis is carved in stone; stories can, and do, change from the first outline. But I need to have SOMETHING to work from.

So I synopsize.

And I also believe in a wonderful, well-chilled bottle of champagne… at the appropriate time.

Deb: A total delight, don't you agree? Except that champagne gives me a headache. You can have my share.

Janet's VOICE OF INNOCENCE releases January 15 from Desert Breeze Publishing. Go get this book! You'll like it.

Jump Start!

A couple of weeks ago I mentioned being a bit low because I didn't seem to be able to get any enthusiasm for PEACEWEAVER in its original storyline. I ranted and grumbled a bit...

...but then I did what I should've done from the get-go: contacted my awesome crit partner and vented on her. Janny did what the most brilliant crit partners do -- she promised to mull the story for a bit and try to come up with ways to make it marketable.

Well, let me tell you, she did over and above the call of any crit partner's duty. She sent me a reasoned, thoughtful, page and a half summary of where the plot might go if I revised it according to the publishers', and my agent's, recommendations.

Did I use the words "blindingly brilliant" yet?

I sat down, read it over, caught her vision instantly and began to rewrite. I had to gut the story almost from page 1, but I'm 75% done with the rewrite now and it's just perking along.

What I needed -- and what I would recommend to any of you who write -- is someone to take an objective look at the piece in terms of story, and suggest a solution that would get the fire burning once more. Janny did this. I re-caught the enthusiasm I had for the original version, and making it work for the rewrite.

Rejoice with me! Did I mention "blindingly brilliant" yet?

Guest Arrives!

...and is interviewed. The charming and talented Cindy Hickey dropped by to answer a few of my little questions regarding how/why she writes such fun, suspenseful books. Here's her take on it all:

Cindy, when you’re not writing, what do you like most to read?

Wow, I love reading romantic suspense. Something to keep me turning the pages and holding my breath. Something that makes me want to keep the light on.

If you didn’t write in your chosen genre, which would you write, and why?

My agent has decided I have a historical voice. This still makes me smile, as I never thought I’d write in that genre. So, I’ve several Historical Romance proposals out there. Of course, they all have a mystery or a touch of suspense in them.

Where do you see the Christian fiction market going in the near-term?

I see it expanding by leaps and bounds, even more so in the ebook market.

What has been your biggest challenge since you decided to seek publication?

Getting that foot in the door the first time. Persistence pays off. You must keep moving forward, day by day, inch by inch. Never give up.

Name a few of your favorite authors.

Brandilyn Collins, Dorothy Gabaldon, Dean Koontz, Julie Lessman.

Care to share a writing habit you cannot do without?

Have some chocolate with you! I tend to zone out into plotting land with some dark chocolate M&Ms at hand.

Thanks, Cindy, for giving us your insights. Of course, she forgot to name Kinnard, but I don't write suspense, so maybe that's the reason.

Here's a thumbnail of her recent book cover. Isn't it a honey?

Get Cindy's books at www.amazon.com or at www.smashwords.com.

Back in the Box

Home from the ACFW conference this week, free to process what I heard and what I learned.

I don't usually share sorrows. But I'm in a heavy mood over this one. It's nothing serious -- my loved ones are in health and I've really nothing to complain over. But my dear-to-the-heart 973 Wales book is not going forward in its present form. The story I wanted to tell is not the story the publishers want.

I heard similar things from two editors. The summary I presented on the one sheet caused pursed lips and raised brows. I explained that my plot points were true to their time, but heard, "Yes, I'm sure they are, but our readers will not accept them."

Point: though young women often were given in marriage in their mid-teens, my heroine cannot be in her mid-teens. She has to be older. Readers will not accept a main character who's considered a grown woman and ready for marriage at 15.

Point: my girl's true love and her husband have to be the same person. The readers will not accept that she loves one man and must marry another for political reasons. This, too, was true to the age, but the readers will not accept it.

Get the drift? The story I wanted to tell, how a woman can triumph over stiff odds, can come to love the quest for peace, can come to terms with an unwanted husband...all that must be taken out.

The more outspoken of us Christian fic writers talk about "the box." This far and no further. Write this and not that. Show these characters and delete these others. Deal with these themes and not those. Some of us would love to kick the sides out of the box, and some, including people I'm proud to call friends, have kicked the sides with some success. I honor them for it.

But not this story, and not at this time. Back in the box, PEACEWEAVER. The readers don't want you. Or so I'm told. To pitch this project (hopefully with some success), I'm selling out to The Box. I'm gutting my story.

I feel sad about doing this. What will be left (and I'm 40 pages in to the rewrites) will not be the story I wanted to tell. It may be something more banal, something perhaps less interesting, something I might not want to read were it for sale in a store. I hope as I overtype my original manuscript that it will be a better book than its predecessor, but hoping is all I can do until I see what it becomes.

Many factors in this writing/publishing life are beyond my control. My story and how I tell it are the only things I can control. Heaven knows I'm trying for quality.

I'm not complaining that the market is as it is. My wail is over the fact that it cannot be allowed to spread to cover a little wider span.

Readers with Short Attention Spans, Beware

...'cause this will be a longer post than usual.

I'm reading everywhere that the publishing industry is changing. This is no great surprise -- it's been in the process of changing since Urgh the Neanderthal first chiseled his name on a rock (don't worry, it's okay, he didn't get an advance either). What interests me is the speed at which change is happening; the anguish some folks seem to feel that their crystal ball won't tell them exactly where it's going; the all-of-a-sudden respect e-publishing has gained in some quarters; and the apparent desire of the print industry to either ignore it all or figure out how to keep the print market exactly as it is today.

Speed of change: it's mind-numbing. When I sold my first e-book in 2002, people asked me when it was going to be a "real" (i.e., print-and-paper) book. They also intimated that I should come back and talk about my writing when I'd made a real sale, that meaning a sale to a real, live publishing house with a New York City address. What could one do but grit the teeth and say something on the order of: "It's a real book because I have a real contract and they send me real royalty checks."

Fast forward 9 years. Now according to their own blogs, many established authors who've sold to the same real, live NYC publishing houses are embracing e-books: so much so that they're going direct-to-reader and e-publishing on their own. From one level of ignominy to another! What are they thinking?

Easy. Why let a publisher keep between 92% and 65% of the monies earned when you can keep a higher percentage yourself? Granted, these direct authors have costs: they must buy editing, cover design, and perhaps set-up. But once these costs are cleared, all the proceeds are the author's. Given the right kind of name out there with readers, why wouldn't they go this route?

Speed of change, yes.

Anguish? You betcha. It's out there. People who used to sniff at e-books are now having their stuff released that way. Sometimes the e-version releases simultaneously with the print version, sometimes not. I have resolved to be gracious and not ask any of these folks whether their e-version is a real book....

Scrambling: One author who recently signed a contract with an advance I wouldn't turn up my nose at, is now being told that since she went direct to readers and self-pubbed short stories that house had already rejected, she's in breach of her contract and must give the money back. I wouldn't want this kerfuffle for the biggest advance on the planet. I sense some frantic thinking on the part of this (unnamed) house: "Oh, no! We can't put a stranglehold on our authors' work anymore. What then must we do?" And some beancounter decides, "We won't let her get away with this! We'll yank her contract."

The truth is that nobody really knows how this is going to shake out. People who are taking their work direct to their readers are likely braver than I am.

But I find myself thinking about it.

Conflicting Projects, Conflicting Emotions

Writer's angst. Which of us hasn't experienced it?

My conundrum: I'm told my medievals aren't wanted. They won't sell. To make matters worse, instead of working on something that may sell, I've got a first century story niggling at my brain, trying to get out.

So what am I doing on these writing-Wednesdays? Working on the third medieval time-travel story, which I'm told will never see the light of day.

It's going very, very well -- probably because nobody but me will ever glimpse it.

Discouraged? You bet.

No Post for a While, and Why That's a Good Thing

It's a good thing because I'm pleased to say I finished writing PEACEWEAVER! Yes, you heard me -- the 973 Wales book is done. For a brief period I thought I might never hit the ending. Then once I did, I was strongly tempted to change it.

"Don't," said Janny, my superlative and wonderfully honest crit partner. "It's a boffo ending. Touch it, and I get out the Righteous Nerf Bat."

I obeyed, of course.

In other news, I had a book I won't name, submitted for review. I was anxious to read it, since it's set in medieval England. But I bailed 40 pages in. Why?

Anachronism. Flaming, yank-you-out-of-story anachronism. Words and concepts that didn't exist until the 20th century, inserted into the 14th. Sorry. No excuse. There exist ample sites to research when a word or concept came into general use. I won't be finishing the book, no matter how keen I was to read it. Unfortunately, the author made finishing it impossible for this reader.

Your Saturday Free Teaser

Today I'm delighted to post the first few words, just to whet your appetite, for my friend Nike Chillemi's book BURNING HEARTS. Love it, go get it (from Desert Breeze Publishing).

Long Island, New York
September 1946

Erica Brogna hurried down Hill Street, eager to sketch her new design, a forest green taffeta dress with a swirling skirt for a twenty-fifth wedding anniversary -- her first significant assignment. She paused to inhale the salt scent on the ocean breeze, and her gaze lingered on a copse of red, rust, and gold maples near Ada's house and dress shop.
She smiled, pulling her cardigan tight around her, and dropped the newspaper Poppa asked her to bring to her mentor and employer. She retrieved the paper and saw Bess Truman smiling as she entered Walter Reed Army Hospital. With the war over, the First Lady visited broken soldiers in long-term care. Erica slapped the paper closed before rage and depression overtook her. So many boys had not come home.
Chin jutted out, she smoothed the pleats of her skirt and marched toward Ada's house. She'd think on pleasant things and hand the paper over without a fuss as she did every morning. Nothing would ruin this day.
She climbed Ada's wooden front steps and opened the door.
Smoke filled the living room Ada had turned into a fabric shop. Erica waved a hand in front of tearing eyes. Gray vapors, like swirling fog, partially obscured bolts of fabric stacked against the opposite wall.
"Ada! Ada, answer me please." Dropping the newspaper, Erica rushed toward the stairs, trampling Bess Truman's image. "Ada can you hear me?"
Coughing, she grabbed on to the cutting table in the middle of the room, steadied herself, and reached for the phone -- no dial tone. Perhaps the fire melted the line.
She yanked the collar of her blouse over her nose and mouth against the smoke. The stairs loomed before her, seeming as impossible to scale as Mount Everest. She lunged forward, gripping the baluster, and thrust herself up two steps. Since Ada wasn't outside, she had to be upstairs.
As Erica climbed, the smoke thickened and swirled around her. It was darker with each step.
One hand clasped the rail and pulled, and she advanced a few more steps. Heat blasted against her skin from above, and soft crackling sounds drew her gaze to the upstairs landing. Squinting into the smoke, she lost her grip on the banister, missed the next step, and fell backward tumbling to the bottom.
The back of her head smacked against the baluster, and wooziness followed sharp pain. She tried to stand but couldn't get her bearings.
Will triumphed over ability. She hoisted herself, ignoring the dull throb at the back of her skull. Her palms stung, the skin scraped off during her fall. She took a deep breath, and a coughing fit seized her. Shallow breaths were the better alternative.
Planting her penny loafer on the bottom step, Erica began her climb again, shaken but with new resolve. If she could reach the top of the stairs, she could also make it to Ada's bedroom.
Halfway up, the scratches on her palms pulsated as the temperature rose. So did her knees -- must've scraped those, too. The pungent smoke shrouding her darkened, and grit clung to her skin. She couldn't see the banister or the top of the stairs and each breath took effort.
Poppa's lectures on fire drills flashed into mind -- stay low in a fire to get fresh air. She dropped to her knees and crawled, ignoring her pain. A sickening smell made her stomach lurch.
Inch by inch she crept, now three quarters of the way up. Hot, putrid air assaulted her windpipe, and she doubled over, her insides trembling.
Heaving herself forward, she maneuvered up one more step, but the smoke pushed back, choking her. She sobbed, knowing she couldn't make it to Ada, and scrambled down, hoping she could find help.


Good stuff, eh?

Two Bits of Good News

My super crit partner, Janet Butler, has sold her VOICE OF INNOCENCE to Desert Breeze Publishing! Yay! This was/is the book she calls her "400 lb. gorilla" though I think by now it's gained some weight. Sure it is that it's found its wings! Congratulations, Janny.

Today also I wrestled the 973 Wales book, PEACEWEAVER, into submission and sent the proposal on to my agent. Now begins the bane of the publishing industry--the wait. Pray for me. Patience is not my greatest strength.

Self-Publishing

In brief, this isn't the dirty word it was even a few years ago. It's gaining credibility, slowly for certain, but steadily. I'll admit to being a tad bit bemused by the whole model -- and even more so by the dialogue swirling around it. Should an author ever consider putting his/her work "out there" for the world to see, sans agent, acquisitions editor, publishing house, marketing department, sales force, distributor, bookstore? Or should we in Christian fiction still consider this business model as little better than anathema?

If you're looking for solid answers, I haven't any. I may come to some, in time. Certainly I'm reading the recent posts on the ACFW loop with great interest. Authors I respect are turning to self-pubbing for: out of print books to which the rights have reverted; works for which there's a limited audience and a platform to give them presence; books that cannot and will not fit into mainstream Christian publishing no matter how excellent their content.

I have several books in the bottom drawer, which fall into this last category. One that I truly love has as its central theme domestic violence. Don't worry--it all happens off-screen, since it's told from the point of view of the man who tries to help an old female friend who's the survivor of this violence. An edgy story, probably, though I've tried to handle everything with grace, nothing gratuitously, and adhere to Christian morals. However, though I've run it by my agent, I've never tried to pitch it.

Will this ever be number one on a publisher's wish-to-acquire list? Probably not. I've mulled self-pubbing this one primarily, plus one or two others that are finished and ready, over time. They definitely won't fit in any Christian publisher with whom I'm connected or would like to be connected. I trust my agent when she says, "No sale," on these. But could they find their feet in a market without the traditional gatekeepers who protect us from the unusual, the edgy, the out-of-the-box?

No answer yet. I'm still mulling. If I decide one of these can fly, you'll be among the first to know. Sure wish I knew!

Gotta Crow!

Pleased to announce that SEASONS IN THE MIST won this year's (2010) Grace Award in the speculative fiction category! I'm more honored than I can say. The Grace Award is an inclusive, reader-nominated, reader-voted award that spreads its arms to welcome small press, large press, e-published, and self-published works in Christian fiction. There's a lot of work out there that never gets attention from the more mainstream awards. So I'm cranked and thrilled!

Off With Her Head!

Sorry. Not literally. You see, Anmair of north Wales, the heroine of my 973 tale PEACEWEAVER, has gone and gotten herself captured by Vikings.

"What!" you say. "The Vikings raided in England and France, right? Not Wales!"

Au contraire. They did indeed raid in Wales and for a while, were allowed to spend the winters on the island of Anglesey (a.k.a. Mona) off the northwest tip of the country. From this base they could sally forth every spring in their usual Viking hobbies of rape, pillage and destruction. Not nice fellas, these ancestors of mine.

Anyway, Anmair has been taken away to the Viking enclave near Dublin, Ireland, with the leader's intention to sell her and a few others as slaves. Wouldn't ya know it? His minions come down with the measles and the leader is cursing his bad luck. Has Odin turned his face against them all? Anmair rashly promises to help the measly horde and the leader promises that if she can't, if even one of his men dies, he'll offer her in sacrifice to the All Father, Odin. Only that way can he hope to turn his run of bad luck to good.

It's tense, all right. What will Anmair do to keep herself from being served up to Odin? I really have no idea. She has boldly told the leader that only the true God can be of help in dire situations, and she'll prove His power by saving the raiders. Can she do this? I don't know. Measles is no joke in adult patients. Does one of them succumb? Stay tuned -- our dauntless (so far, anyway) heroine is in a Viking longship load of trouble this time.